![]() ![]() Call it what you want, but be sure to give this technique a try to improve your compositions. Never heard of the golden ratio? Perhaps you know it by one of its many aliases: the golden mean, phi grid, Fibonacci spiral, or the divine proportion. The golden ratio can be applied to your compositions in many different ways, with the goal of creating a naturally striking composition. You can find his work at and follow him on Instagram and Twitter.If you’re ready to grow as a photographer using a composition technique that is tricky to apply but worth mastering, it’s time to start experimenting with the golden ratio. He centers his work around conveying a message through his photography. Let’s just call the Golden Ratio “The Rule Of Thirds, Plus Some More” (TROTPSM for short).Ībout the author: Jon Sparkman is a Cheltenham, UK-based fine art photographer. In my opinion, these newly-cropped pictures feel much more dynamic and interesting, and forcibly lead the eye around the pictures.Īs always, it’s entirely up to you to take my advice, but I just want to be able to show that there’s more to the world of art than a criss-cross of lines. I have to admit, once I discovered my love for the Ratio, I started flicking back through the past few years of shoots to re-crop images in the Ratio. Start looking out for the Golden Section when editing your pictures in your favorite cropping post-production program and see how it can take your pictures from “yeah” to “oh yeah!” There are a whole host of different ways you can use the Golden Ratio - from portraits to landscapes… and even sports and street photography. The focus is pulled towards the car’s open door, making the viewer ask the question “why?” Hopefully you can see how many times the images follow the sweeping curves and conclude with the focal point of the image in the tight coil. Here are a few real-world examples of the Golden Ratio in practice on a few of my images, one without an overlay and one with. It’s like a giant subliminal road sign pointing the eyes towards where you want them to go. Putting your subjects along a curved line rather than straight grid lines draws the viewer’s eyes around the picture, forcing it to go closer to the tight coil of the spiral where you’ve placed your point of interest. So if the golden ratio is more hassle than the ROT grid, why should I care about it? It all comes down to the long sweeping arc of the spiral. The spiral in just four of its eight possible orientations. Here’s the reason they don’t put the spiral as an overlay on your camera. The lower right intersection of the red lines is pretty close to the tight curl of the spiral. There is a reason why the golden ratio gets oft pushed away - it’s because it’s murder to have all its eight variations displayed on a screen at once. The tight spiral of the blue ratio almost marries up with the lower right intersection of the red overlay. ![]() If I put the two overlays on top of each other, you can see how similarly they intersect. Looks kind of fun, a tight coil ending up off centre and providing a great host of lines to align your picture up to. Turning it around is done by pressing Shift + O. ![]() To access this spiral, press R to get your cropping function open, then cycle through the available overlays with O until you find the spiral. ![]()
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